Edouard Malingue is pleased to present an exhibition of Nabuqi's works at the gallery's Tin Wan studio, showcasing for the first time the artist's silkscreen prints, and a new sculpture 'Game and the Importance of the Joints', created in 2020.

 

Nabuqi was born 1984 in Inner Mongolia, China. She graduated from the Central Academy of Fine Arts in 2013, and currently lives and works in Beijing. Her recent exhibitions include 58th Venice Biennale (Venice, 2019); Cold Nights (UCCA Art Centre, 2017); Absent Paragraph (Museum Beelden aan Zee, 2017); Any Ball (Central Academy of Fine Arts, 2017), The 11th Shanghai Biennale (2016) and the 10th Gwangju Biennale (2016). She has been nominated for the 2016 Art Sanya Huayu Youth Award.

 

馬凌畫廊榮譽呈現娜布其在香港田灣工作室的展覽,首次展出藝術家的多幅絲網版畫作品以及於2020年創作的新作《遊戲以及關節的重要性》。

 

娜布其1984年出生於中國內蒙古, 2013年畢業於中央美術學院,現生活工作於北京。其近期展覽包括:第58屆威尼斯雙年展(威尼斯,2019);「寒夜」,(UCCA當代藝術中心,北京,2017);「缺失的段落」,(Museum Beelden aan Zee,海牙,2017);「球場」(中央美術學院美術館,北京,2017);第十一屆上海雙年展:「何不再問?正辯,反辯,故事」(2016),以及第十一屆光州雙年展「第八種氣候(藝術做什麼)」(2016)。

  • Installation Views

    • 2016.07.15 2021
      2016.07.15
      2021
    • 2020.02.11 2021
      2020.02.11
      2021
    • 2020.04.23 2021
      2020.04.23
      2021
    • 2020.02.10 2021
      2020.02.10
      2021
    • 2018.02.05 2021
      2018.02.05
      2021
    • 2019.08.26 2021
      2019.08.26
      2021
    • 2014.05.11 2021
      2014.05.11
      2021
    • 2017.04.03 2021
      2017.04.03
      2021
  • 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020 'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020

    'Game and the importance of the joints' 《遊戲以及關節的重要性》, 2020

    In "Game and The Importance of The Joints", a miniature of a playground is hidden in a structure that looks like children's toys. The whole structure is "assembled" by parts of different materials. Compared to the general "sculpting" technique, "assembling" implies a form-making process with a stronger industrial sense. In the process of connecting the various parts, the connectors act like joints, supporting the slender structure and maintaining the subtle balance within the sculpture.

    《遊戲以及關節的重要性》將一個遊樂場的微縮景觀隱藏在看起來像是兒童玩具一般的結構中。整個結構由不同材質的部件「組合」而成,區別於藝術家以往在雕塑過程中經常用到的「塑造」手法,組合意味著更具有工業感的成型過程。在連接各個部分的過程中,連接件的作用像是關節一樣,支撐起顯得格外纖細的結構,同時也保持著雕塑內部微妙的平衡感。

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